The musical “Catch Me If You Can” is based on the 1980 autobiography “Catch Me If You Can” by Frank W. Abagnale Jr., titled 『世界をだました男』 (“The Man Who Fooled the World“). The story was famously adapted into a 2002 film directed by Steven Spielberg, with Leonardo DiCaprio playing the genius con artist Frank Abagnale Jr. and Tom Hanks portraying the relentless FBI agent chasing him. The film gained attention for the impressive performances of these two Hollywood icons.
The stage adaptation first premiered in Seattle in July 2009, before making its Broadway debut in 2011. It received widespread acclaim, earning three Tony Award nominations, including Best Musical, and winning Norbert Leo Butz the award for Best Leading Actor in a Musical.
In Japan, the musical was first performed in the summer of 2022, directed by Ueda Kazunari and starring Iwamoto Hikaru as Frank. Ueda’s direction brought to life a glamorous yet poignant world, enhanced by the cast’s stylish dancing and memorable singing. Iwamoto reprised his role as the young and handsome Frank Jr. in this latest run, while Yoshida continues in the role of FBI agent Hanratty, which he has played since the initial Japanese production. The role of Brenda, Frank’s love interest, is now played by former Takarazuka Revue star Senna Ayase, bringing a new dynamic to the character.
This current run of “Catch Me If You Can” will be performed until September 8 at Tokyo International Forum Hall C, before moving to Osaka’s Orix Theater from September 13 to 17.
“I am truly delighted to be given the opportunity to take on this wonderful world once again. I still listen to the “Catch Me If You Can” soundtrack even now because it is filled with songs I love, and I hope to deliver this incredible true story, that feels almost like a lie, to everyone with complete honesty.”
Dumpling Box had the chance to see the play in person, thanks to the lovely and amazing Amy! Let’s see what she has to say about this highly anticipated adaptation!
Hikaru’s portrayal of Frank Abagnale Jr. was a standout in this production, as he expertly adapted his voice to reflect the youth of the character. His higher-pitched speaking and singing voices were perfectly suited for playing a 16-18 year old, and as the show progressed, his vocals became more stable, demonstrating his gradual warm-up to the demanding vocal range. His attention to detail in Frank’s mannerisms brought depth to the role, particularly in moments like the playful finger gestures during the kitchen accident scene at the hospital, which added humor and charm.
On the opening night of the musical’s run, Hikaru and Senna brought the passion to the stage, much to the delight of the audience. A particularly memorable scene was the “Seven Wonders” sequence, often referred to as the bed scene. Hikaru’s physicality and stage presence shone here, as he struck the perfect balance between strength and tenderness in his interactions with Brenda.
His ability to shift from playful to gentle during the song was especially emotive, making the scene both captivating and heartfelt. The chemistry between Hikaru and the actress playing Brenda was undeniable, their connection adding a layer of intimacy to the performance that resonated with the audience.
Hikaru’s casual rearrangement of himself on the bed, propping himself up on the pillows, was a small but impactful moment that drew enthusiastic reactions from the crowd. In addition, the parting scene between Frank and Brenda, which featured a longing kiss on Frank’s cheek near the close of the musical, further demonstrated the feelings between the pair and left a lasting impression on the audience.
In addition to his acting and singing, Hikaru’s dancing was equally sharp. His precise movements fit seamlessly with the Broadway-style choreography, and he fully embodied the role in the energetic chorus numbers. It was clear that he was not only comfortable in the role but also enjoying every moment on stage.
The on-stage dynamic between Hikaru and Yoshida-san, who portrayed Hanratty, was another highlight of the production. Their rapport was evident, particularly during the final scenes, where their connection brought depth to the evolving relationship between Frank and the FBI agent. Having worked together in a previous run of the musical, the bond they shared translated into a more authentic and compelling performance.
After the curtain call, Hikaru returned to thank the cast, crew, and audience with a few final remarks. In a playful moment, he encouraged everyone to tune into the “SASUKE World Cup” airing the following night, which added a personal and lighthearted touch to the evening. As he exited the stage, his adorable side curtsy brought the audience to their feet, cheering with enthusiasm.
The theater was buzzing with the excitement of the opening performance, and that feeling was still present after having the fortune to enjoy a subsequent performance in the middle of the Tokyo run. Hikaru continued to dazzle as Frank and had further warmed up to the demanding vocal range while delivering a charming performance.
In the end, this production of “Catch Me If You Can” was a thoroughly enjoyable and well-executed version of Frank Abagnale Jr.’s extraordinary story. Hikaru’s performance stood out for its balance of youthful charm, emotional depth, and his ability to command the stage with both his voice and movement. It was a performance that truly brought the audience along for the ride.
Super glad to be able to read another fans’ thoughts on this performance. I was able to catch the first run, and absolutely adored it. I was a bit gutted to hear the first run he wasn’t in a peak performance (he was sick), so it sounds even better this second go around!