As the lights dimmed in Ecopa Arena on August 24, 2025, for the final performance of We’re timelesz LIVE TOUR 2025 episode 1 ~FAM~, my heart felt like it was holding its breath—even from my living room in Sweden, where I watched the live stream unfold with bated breath, fully immersed in every beat, every light, every emotion.

This wasn’t just a concert—it was a celebration of a new chapter—episode—for timelesz, a group that’s been a cornerstone of my life since I fell in love with Sexy Zone back in 2018, and how Fuma and Kento have been a part of my history since B.I. Shadow.
As a fan who’s followed their journey through highs and lows, this tour, and especially its emotional finale, felt like a love letter to the bond we share with them—a bond they’ve nurtured into something called “family.” Whether during the days of Sexy Zone or now as the eight-member timelesz, that sense of connection has always remained at the core.
The journey to this moment wasn’t easy for many of us, myself included. The transition from Sexy Zone to timelesz, with the addition of new members through the groundbreaking timelesz project -AUDITION-, was a leap of faith for both the group and us fans.
Yet, standing in Ecopa Arena, surrounded by a sea of vibrant penlights in every member’s color—red, purple, green, light blue, light green, pink, yellow, and white—I felt the warmth of a family reunited.
The eight members—Shori Sato, Fuma Kikuchi, So Matsushima, Takuto Teranishi, Yoshitaka Hara, Masaki Hashimoto, Shuto Inomata, and Taiki Shinozuka—brought a fresh energy that honored their roots while blazing a new trail.
The arena tour finale opened with the explosive energy of “Rock this Party“, more than just a high-energy opener, encapsulated the spirit of timelesz—a group born from passion, perseverance, and the dreams that brought them together.
Originally introduced as the final audition song in the timelesz project, it now serves as a powerful anthem of unity, ambition, and celebration. With lyrics penned by the original members Shori, Fuma, and So-chan, the song carries the emotions of their journey, reflecting the highs and uncertainties of the audition process that led to this moment.
As they took the stage in Shizuoka, the track became an invitation—to dance, to dream, to embrace the moment without hesitation—setting the tone for a show that seamlessly blended new identity and nostalgic love.
What makes “Rock this Party” even more impressive as a show opener is how it has evolved with each performance throughout the tour and performances.
The group continuously raised the bar, each time topping the last. It was especially moving to witness how the new members have grown into their roles.
Each stands at a different stage of skill, experience, and stage presence—but together, they form something coherent, united, and profoundly intimate.
Watching them perform this song is like witnessing a real family take flight, bound by purpose and the joy of finding each other through the music.
Through tracks like “Do Me Do Me,” “Freak your body,” and “Baby What’s Your Name?,” the members showcased their synergy, running across the main stage and the center pathway and stage as if claiming their space in this new era. It’s genuinely captivating to see the results of their hard work on stage.
While these songs were already impressive on the album, their live performances brought a whole new dimension to them—full of energy, nuance, and personality.
There’s something deeply fascinating about how timelesz has come together as a well-oiled group despite the varying levels of experience. Sure, there are still rough edges in some areas, but considering this is their first arena tour as an eight-member unit, the quality and cohesion of their performance is almost unbelievable.
They make it look effortless—and that’s a testament to their dedication, trust in one another, and commitment to growing stronger together.
What makes live performances truly captivating is how the songs take on a whole new life beyond the studio recordings. On stage, the members are free from the confines of pitch-perfect precision—they can let loose, express themselves, and become part of the music in an entirely different way. That’s exactly what timelesz achieves. Whether it’s Fuma’s flawless vocals reverberating through the arena, Masaki’s effortless charm, or So-chan cheekily teasing the crowd with his 180° strip-tease, each member brings something distinct to the stage.
It’s mesmerizing to witness how far they’ve come, especially the newer members. They’re still in different phases of development—some polished, some still a bit raw—but together, their synergy is undeniable. It’s hard to believe this is their first arena tour as a group of eight. The consistency, charisma, and emotional delivery they show already feel like the work of a seasoned team. The group performs like a single, well-oiled machine, each member contributing their own rhythm and color. Even in its imperfections, it’s powerful—because it’s real, because it’s them. And that authenticity is what makes it so impressive.

The group performance of “We’re timelesz“ became a standout moment, not just for its catchy rhythm and self-intro rap verses, but for how it captured the essence of their unity—from Tera’s flying kiss (I swear, he’ll be the end of me, Fuma, I blame you) to Fuma’s “Make some noise” line—eliciting loud cheers from the crowd.
These introduction songs are always such a joy to watch and listen to because they truly embody the members and their personalities—not just in the lyrics, but in how they vocally introduce each other and interact on stage. There’s a shared pride in each other’s strengths, and that friendship shines through the performance, making it feel like a collective declaration: “This is who we are: We’re timelesz.“
Then came the emotionally-charged segment of the setlist: “Anthem -episode 1-“, “New phase“, “人生遊戯” (Jinsei Yugi), “SWEET“, and “Cream“, all originally tied to the timelesz project journey. Their arrangement had been updated, giving key vocal moments to the new members. While it comes in later in the show, Shuto’s line in “Kakumei no Dancin’ Night“ was especially a moment of redemption—a lyric he’d once struggled with in auditions, now delivered with confidence.
Of these, “New phase” stood out as a personal favorite. The track, produced by Fuma himself during the audition project, remains one that undeniably carries his signature—both in energy and concept. While the original audition version was already memorable, this full-group rendition felt even more powerful.
The song departs slightly from the typical sparkly idol J-Pop tone, offering something moodier and more grounded, yet still entirely within the STARTO realm. It was particularly refreshing to hear Fuma’s distinct voice and rap blend with the tones of newer members like Hara, Tera, and Masaki. As someone deeply fond of Fuma’s voice (let me marry it, please), I was floored by how beautifully their vocal symphony enhanced the track’s impact. This updated version wasn’t just an upgrade—it was a full evolution.
What made this section so powerful was how naturally these songs felt integrated into the current lineup. They didn’t feel like placeholders or forced continuations—they felt right. As someone who has cherished these songs since their Sexy Zone days, I was surprised to find that I wasn’t longing for the past. Instead of thinking, “I wish it were like before,” I thought, “So this is what it’s become—and it’s beautiful in its own way.“
They’ve managed to turn the songs into something new, something uniquely timelesz. The emotional weight still lingers, but now it’s layered with new voices, new meanings, and a shared sense of growth. It’s different—but a good kind of different. The kind that feels like healing. The kind that doesn’t erase the past, but walks forward with it, hand in hand.
And of course, it’s not a STARTO concert—especially not one with Fuma in it—without at least one unhinged performance, and “Suki sugite” delivered exactly that kind of delightful chaos. As one of their most iconic songs, it carries deep nostalgic value, yet the Shizuoka performance gave it a new jolt of life. The song, a long-time staple not only among the original members but also beloved among Juniors, was performed together with a spotlight that gently leaned into the five new members—particularly Masaki, Shuto, and Shino—turning it into a symbolic passing of the torch.
Letting them be part of the spotlight in such a legendary, cheeky number felt like the group saying, “You’re part of this legacy now, too.” It leveled the playing field in the most gloriously unfiltered way. Watching each of them bring their own flavor to the performance—whether through boldness, nervous energy, or sheer commitment—was pure joy. It was messy, it was wild, and it was unmistakably timelesz: eight members, letting loose as one. It’s in these moments of shared madness that you see just how much they trust one another—and how far the new members have already come.
“君へ” (Kimi e), performed by the five new members, was backed by images and clips from their audition process—an emotional montage that brought many fans to tears. It was like watching the final chapter of an anime that had become real life. Each member—Tera, Hara, Masaki, Shuto, and Shino—delivered the song with sincerity and raw emotion, their voices carrying not only the weight of their journey but also the dreams that led them here.
Originally penned by the five themselves as part of the timelesz project, “Kimi e” feels like a handwritten letter to fans—a vow of gratitude and determination. From the uncertain beginnings of the audition to their first major release, this performance marked a full-circle moment. It was the first time fans could fully experience their vocal nuances in such a heartfelt ballad, and hearing them harmonize on stage solidified their place within the group. Even for those familiar with Tera and Hara’s prior experience, there was something profoundly moving about hearing all five voices blend on a stage like this.
Some wore their inexperience with pride, others surprised with polish and poise—but together, they created something greater than the sum of its parts. It wasn’t perfect—and it didn’t need to be. The vulnerability and honesty in their delivery made it real. This wasn’t just another performance—it was a milestone, a promise: We’re here now. And we’re staying.
What made the performance especially poignant was how each of the five brought something different to the stage. Some still wore their inexperience like a badge of honor, while others exuded a surprising level of polish. Yet together, they harmonized with a sense of purpose and unity that only made the song more meaningful. It wasn’t perfect—and it didn’t need to be. That vulnerability, that growth in progress, was what made “Kimi e” feel so real and so special.
Rather than feeling like newcomers performing an obligatory number, they made the song entirely their own. This was their love letter—not just to the fans or the seniors who welcomed them, but to their past selves, the ones who stood on that audition stage months ago.
Then came “because.” As the gentle opening notes filled the arena and the spotlight turned to Shori , Fuma, and So-chan, something shifted. It was as if time slowed for just a moment, allowing the original trio of Sexy Zone—now the emotional core of timelesz—to speak directly to every fan in the room.
Bathed in soft washes of red, purple, and green—the member colors of the original trio—they stood apart on the center runway, their figures silhouetted against the stillness. With no elaborate set, just their voices and presence accompanied by the meaningful choreography, the arena fell into reverent silence. As they moved together onto the center stage, ten circles of colored light bloomed at their feet—including the colors of Kento (blue) and Marius (orange)—subtly acknowledging those who came before. It wasn’t loud or dramatic. It was simple. Intimate. A performance not meant to impress, but to express. And it was, in every way, devastatingly beautiful.
“because” has always carried the weight of memory. Written by Fuma, choreographed by So-chan, and directed in part by Shori, the song is a deeply personal message—one shaped by shared years, losses, growth, and love. Crafted during their final era as a trio before welcoming five new members, it was a quiet confession to those who had stayed. A song that says: We’re still here. Because you are.
The simplicity of the staging only made it more powerful. You could hear breaths between lines, feel the emotion tighten in their voices. Shori’s delivery was clear and vulnerable, Fuma’s tone warm and grounding, and So-chan’s gentle presence tied it all together like a soft thread through the heart. Their harmonies—born of more than a decade together—ached with familiarity, but also with something unspoken: farewell, gratitude, and a kind of love that doesn’t fade with time.
Watching from Sweden, I cried. Not because the performance was sad—but because it was true. This wasn’t about nostalgia. This was about continuity. About the kind of bond that holds even as everything around it changes. About hearing your past whisper back to you: “You mattered to us. You still do.”
The placement of “because” after the new members’ “Kimi e” wasn’t just thoughtful—it was symbolic. A bridge between eras. One letter addressed to the fans from the future, and one from the past. Two songs, side by side, proving that no part of this group’s history has been left behind. If “Kimi e” was a promise to begin, then “because” was a quiet vow never to forget.
As a fan since 2018, I felt the full force of that vow. I remembered the first time I heard my favorite song “フィルター越しに見た空の青” (Filter Goshi ni Mita Sora no Ao), the first time they made me laugh, cry, and dream. And now, standing at the intersection of what was and what will be, “because” reminded me of why I stayed. Of how music—real, vulnerable music—can tie hearts together across years, countries, and screens.
The members gathered to perform “I’m Home“—a ballad so tender, it felt like the concert was reaching through the screen and placing a hand gently over your heart. In this moment, every emotion from the tour seemed to settle into something still and sacred. The eight voices—old and new—intertwined like threads of a tapestry, each singing not just a part, but a piece of their shared history.
This wasn’t just a song—it was a soft, soul-stirring affirmation that said: “We’ve made it. Together.” For fans who’ve walked with them since the Sexy Zone days, it hit especially hard. The lyrics echoed memories of every era—of laughter, tears, and growing pains—and yet, it wasn’t weighed down by nostalgia. Instead, it gently opened the door to a new beginning. There was no familiar ache of “I miss the past,” only a breathless wonder of “this is what home is now.“
The placement of “I’m Home” after the emotionally potent “because” made it feel like a closing chapter that doesn’t end, but rather invites you in. A warm welcome after a long journey. A quiet promise that no matter how much things change, this home—this music, this group—is always here for you. With their harmonies wrapped in gratitude and their presence grounded in love, timelesz didn’t just perform a song—they gave us a place to belong. We’re not saying goodbye. We’re just going home.

As the main set neared its close, “Steal The Show”—the new single coming on November 12—erupted onto the stage with the force of a declaration—bold, fearless, and unmistakably timelesz. From the very first beat, it was clear this wasn’t just another performance; it was a statement. With vibrant visuals syncing perfectly to sharp choreography, the arena pulsed with energy. The members moved with intent, each step a testament to their transformation, each lyric laced with the kind of confidence that can only come from standing tall after a long climb. It wasn’t just about impressing the audience—it was about owning the moment.
This high-energy pop anthem felt like the culmination of everything the group had built throughout the tour. The song acted as a triumphant exhale—a victory dance of sorts. Where “because” reached inward to honor their past, “Steal The Show” reached outward, announcing their readiness to take on the future. The lyrics, drenched in determination and sparkle, seemed to speak directly to the group’s journey: We’re here. And we’re not backing down.
Fans across the arena—and online—felt that shift. The feeling of “This is OUR stage!” echoed the overwhelming sentiment of the crowd. Fuma’s charisma commanded attention, Tera’s dancing sliced through the lights with precision, and Shuto and Masaki brought a playful, infectious charm that had the whole venue screaming. But beyond the individual highlights, the performance worked because of the collective electricity. It wasn’t just a showstopper—it was a torchbearer, lighting the way forward for what timelesz can and will become.
Then came “RUN”. Oh, my dearest, “RUN.”
Positioned as the final song of the main set, “RUN” wasn’t just a closer—it was a heartbeat. A pulse that echoed through Ecopa Arena and beyond, stirring memories, tears, and hope all at once. Originally released in 2020, “RUN” holds a deeply personal history for the group. As shown in the RIDE ON TIME documentary, it was the single they chose during So-chan’s two-year hiatus—a message in song, telling him: We’re still here. We’re still waiting. Not long after its release, So-chan returned. And the group chose to keep that original recording as a four-member version, because it had carried that message so clearly.
To hear “RUN” now—sung not only by So-chan, Shori, and Fuma, but by all eight members of timelesz—was to witness something profound. A transformation. A redefinition of purpose. From the very first chorus, it felt like the group was running with us—carrying us forward into this new episode.
The choreography was as intense as usual, the vocals emotionally charged, and So-chan’s delivery in the bridge—“Even without understanding, we still chose to believe in something”—hit with a force that knocked the breath out of me. Knowing his journey, knowing the weight of that line, it landed like a promise.

I remember back in 2021, when I had the honor of speaking about this very song on SONGS OF TOKYO, I said: “They are not running away from things but running towards the things they want to do, accomplish, and face head on. It’s a strong statement—they are not backing down, they are moving forward, taking the past with them, and that’s what gives them strength.” And today, in 2025, I feel exactly the same.
Yes, it felt different hearing the new members join in. A part of me hesitated—because it was a message from four people, during a very specific time. But seeing it now, reshaped by eight voices, I realized this wasn’t about erasure—it was about evolution. A moment of carrying legacy, not replacing it.

I truly believe this is the kind of moment the original members were searching for when they opened their group to new voices. It’s not just passing the torch—it’s running forward together. “RUN” isn’t a goodbye to what was. It’s a declaration that this—this unity, this shared sprint toward the unknown—is what makes timelesz stronger—no matter the shape of the group.
For the viewers who watched through the timelesz FC, the show didn’t quite end after the encore. With a surprise encore of “Forever Gold” as the members circled the venue, offering close-up fan service, the emotional high point had long passed—and what remained was gratitude, laughter, and the promise of more to come.
As penlights faded and the final chorus rang out, timelesz didn’t just end a tour—they started a timeless legacy. And for those of us who’ve walked with them from Sexy Zone to now, the word “FAM” in “family” has never felt more real.

The archived livestream remains available on FAMILY CLUB online until August 31, offering fans one more chance to relive the magic—or discover it for the first time. Whether you watched it live or are tuning in after the fact, this stream captures the heart of a group that’s no longer just chasing a dream—they’re running with it.
And together, we run towards the future.
